Newsprint Comic – Part 1

I picked up some newsprint this week, with the intention of drawing some color comics. In the early days, comics appeared in newspapers and were printed on newsprint (duh). Ink tended to run and blot, so artists had to simplify their drawings by eliminating cross hatching and tight line work. There is something very appealing about the simplicity of that approach.

I also miss the comic books that were printed on newsprint – they smelled good, and the limitations imposed by the printing medium made them appealing. Sure, they were fragile, and today’s comics off much brighter colors and many more options. That’s fine – I’m just a bit nostalgic for the 35¢ price tag and artwork.

This was an exercise in quick execution. It’s likely a storyboard for moving images.

To be continued…

Animation Journal: The Room of Indefinite Holding. 

I want to share two character tests that I made for a short film called The Room of Indefinite Holding, which is based on a diorama that I made last year.

Birdbrain

The first character, who I think of as Birdbrain, is a paper skeleton on a wire armature. I’ve been exploring Birdbrain’s story in other dioramas, and it’s particularly satisfying to bring him to life.

Here is birdbrain with my hands, shown for scale. He’s taller than the previous diorama versions.

 

Beeface

As I was leaving work one day, I found three discarded wasp nests in a patch of ivy near where I park. One of the hives had bees/wasps in them. I immediately thought the hives looked like faces, so I picked them up and brought them to the studio.

Here’s the first puppet test:

Here’s a close up of Beeface, as I was assembling her.

Here’s one of the sets for the room itself.

I’m moving (too) slowly on this because I don’t want to make a mistake. Yes, mistakes are essential and can be good things. I’m taking about the disastrous variety, the “WHAT IF I SPEND DAYS FILMING A THING AND IT’S ALL WRONG?” variety.

Disney did this when they first used their horizontal multi-plane camera in Fantasia. The camera that they used to shoot the footage had an incorrect lens and they didn’t noticed until after many days of filming. When they viewed the developed film, they could see not only the animation, but the room and floor, too. They had to scramble and reshoot the entire sequence, as the release date was looming within weeks.

I’ve experienced this too, though on a much smaller scale. My film wasn’t Fantasia or even for Disney and it mostly involved spoons.  But, entire days of work were lost, and the motivation to spend hours hunched over spoons, repeating myself, can be greatly diminished by such mistakes.

And yet

 

In the documentary about The Residents called The Theory of Obscurity, it is suggested that the Residents are as successful as the Beatles. Their Twitter bio reads “Formed in 1972, The Residents are an avant-garde art collective that has released over 60 albums, numerous music videos & short films, 10 DVD’s & 3 CD-ROMS.” What it doesn’t mention is the members  have remained completely anonymous. Their goal (it’s said) wasn’t to be famous, so their definition of success may actually be oranges, while the Beatles were concerned with Apples. Still, they have been highly productive and influential, and they have made a living at making their work.

I like the Residents more than the Beatles.

I’m writing about this to share something profound Penn Jillette said in The Theory of Obscurity:

“If you wait until you know understand enough to do something, you’re never gonna get it done.”

So true. Great advice for all.

I recommend the documentary, even for non-Residents fans. And I’ll leave you with this  wonderful Jillette outtake:

Enjoy!