I’ve been working in the lab again, doing character development. I am looking forward to working with these fine folks.
I’ve followed the RPM challenge for a few years, but I’ve never successfully completed it.
What is this? And I quote:
RPM launched 14 years ago, and in that time, more than 80,000 songs have been created by tens of of thousands of musicians from all over the great orb of the world. Fourteen years is also how long it has taken the New Horizons spacecraft to pass through the great disc of our solar system, and both it and the musicians of RPM now stand poised to begin exploring the great unknown that lies beyond. We’ve all learned a lot along the way, but will it be enough to prepare us for the strange new discoveries that await us in the deep space of our souls?
The RPM Challenge
That’s 10 songs or 35 minutes of original material recorded during the month of February. Go ahead… put it to tape.
It’s a little like National Novel Writing Month, (NaNoWriMo.org) where writers challenge each other to write 1,700 words a day for 30 days, or the great folks over at February Album Writing Month (fawm.org), who encourage artists to write 14 new songs in February. Maybe they don’t have “Grapes of Wrath” or “Abbey Road” at the end of the month, or maybe they do—but that’s not the point. The point is they get busy and stop waiting around for the muse to appear. Get the gears moving. Do something. You can’t write 1,700 words a day and not get better.
Don’t wait for inspiration – taking action puts you in a position to get inspired. You’ll stumble across ideas you would have never come up with otherwise, and maybe only because you were trying to meet a day’s quota of (song)writing. Show up and get something done, and invest in yourself and each other.
Anyone can come up with an excuse to say “no,” so don’t. Many of you are thinking “But, I can’t do that! I don’t have any songs/recording gear/money/blah blah blah…” But this doesn’t have to be the album, it’s just an album. Remember, this is an artistic exercise. Just do your best using what you have in order to get it done. If you have a four-track, become a four-track badass! Use your iPhone, your ’80s cassette recorder, that program on your laptop, a Pro Tools rig, or just borrow something – use it. Do your best. Use the limitations of time and gear as an opportunity to explore things you might not try otherwise. If you can afford time in a studio, fine, but let’s be completely free of any lingering idea that “good” records can only be made in a studio. If that were so, then all the old scratchy blues records or Alan Lomax field recordings that have changed the world’s culture wouldn’t still resonate with us today. Springsteen’s haunting classic “Nebraska” was a demo he did at home on a crappy machine. That album is fricking awesome. What label would put those recordings out now? (See: who cares) There are a million examples of this kind of stuff, but the fact will always be: Well written, honest music is compelling and undeniable no matter what it was recorded on. So put it to tape.
February will come and go whether you’ve joined in or not, but do you really want to be left out?
• This will be fun!
• Ten songs or 35 minutes of recorded material.
• Recording can only be done in the month of February – no prerecorded songs.
• All material must be previously unreleased, and we encourage you to write the material during February, too.
• Participating bands get their own page on the site, which you can blog to as much as you want. You also get access to the band-only discussion board, where you can swap ideas, resources, etc., and the ability to e-mail and private message with the other participants.
Write some instrumentals, split up the songwriting duties amongst band members, form an RPM side project, write songs on the piano or clarinet instead of your primary instrument, make that metal album you’ve always wanted to – buy a ukulele! Just do your best to make the best album you can. Be unafraid.
What if every musician you knew put their music first for 28 days?
What if you recorded the best song of your life?
What if the world was never the same?
What’s stopping us? Nothing. February is Record Production Month. You have no reason to say no, and nothing to lose.
You, too, can play along: http://www.rpmchallenge.com/
I’m going to do it this year, for a few reasons.
- I’ve been playing a lot of guitar lately, and I have some ideas to develop.
- I’ve been thinking a lot about foley for animation, and
- I made a new home on the Web for my music…
I’ve written about the Dead Chicken Ranch previously. It comes and goes, is stationary and mobile, and always present in my mind. I’ll share more as I post new audio to the site.
Here’s a holiday commission I made for a colleague’s parents. They live with a robot named Elgin. Given that prompt, and that they like Jazz…this showed up.
There are a few movies that are in constant rotation in my studio/home. I watch and/or listen to them while I work and/or workout. I’m not saying they are cinematic masterpieces, only that I love them. It’s the highest praise I can give. These movies continue to provide rewards with consecutive viewings.
I just saw Welcome to Marwen, it immediately earned a spot on my tiny, exclusive list.
Steve Carell plays Mark Hogancamp, an artist who had his memories and drawing skills beaten out of him outside of a bar when he drunkenly admitted he likes to wear women’s shoes.
Much of the narrative takes place in Hogancamp’s yard, in a model town he created called Marwen. Barbie like action figures (the characters in the film actually call them action figures, bless) interact with a puppet figure Hogancamp. It’s an elaborate coping mechanism that highlights the resilience of imagination. He stages realistic scenes and photographs them. The shift between two worlds – a miniature facsimile and the “real” world – is enticing. Plus, the bad guys are Nazis and they are repeatedly pummeled by his stiletto wearing female protectors. The sets are wonderful. And Carell’s Hogancamp is endearing without being sappy. He finds peace and acceptance in his internal world – who doesn’t want that?
I read a shitty review of this film (there is no shortage of them) that noted Welcome to Marwen is for people who complain about Hollywood’s formulaic films. I went to see this with a friend, and we both thought the movie felt “loooooooong.” But, that’s not a bad thing, and I also think this deserves several initial viewings. Does it have some problems? Probably. But it’s so good.
It’s directed by Robert Zemeckis, who directed Back to the Future movies, Who Framed Roger Rabbit?, Cast Away, and Forrest Gump. I think this film is a labour of love, and perhaps wasn’t really positioned to be a blockbuster. I don’t care if it was. I’m glad they got this story out into the world. There’s even a nod to Back to the Future.
Here’s a quickie I made when I couldn’t sleep last night. It’s really supposed to loop infinitely, which I think is funny. Especially at 4AM, when sleep is elusive and logic is…elusive.
I am very happy to be a part of the show Where Two Worlds Touch: Drawing and Sculpture by Mary Baum, Jim Doran and Annie Farrar
Three artists explore edges and portals connecting physical and metaphysical worlds.
The Greenbelt Community Center Art Gallery
15 Crescent Road
Greenbelt, MD 20770
Link to their site
The show runs from August 25 through October 28, and gallery hours are: M-Sa, 9pm – 10pm. Su, 9am – 7pm.
I like both of my colleague’s work in the show. It was a good match. Annie’s work, in particular, deserves close study, as I hope you’ll see.
I’m particularly proud of this show, because I’m debuting my large drawings (the longest is 20′ and the tallest is 10′ 5″). I’ve also integrated a comic, and the map of the Land of the Dead ties all the pieces together into a single narrative. It was very satisfying to make, and to see assembled.
This is a story I’ve been telling, in parts, over the years. I’m excited to present a small portion of it in a gallery, in large scale comic form.
Here’s a closer look…