Categories
ART

PHANTASMA

From the One Mile Gallery site:
40 Artist group show opening August 16 with opening reception 5-8pm

Phantasma is a multidisciplinary group exhibition showcasing the work of over 40 artists, primarily from New York’s Hudson Valley, with select contributors from across the United States. United under the theme of “phantasma”—a term evoking the spectral, illusory, and dreamlike. The exhibition explores the unstable boundaries between perception and reality, presence and absence, the material and the imagined.

Featuring a dynamic range of media including painting, sculpture, and multi media works, Phantasma foregrounds artistic practices that engage with the uncanny, the subconscious, and the ephemeral.

In Phantasma, ephemerality is not solely embedded in the materials or lifespan of the artworks, but more crucially, in the temporality of the viewer’s encounter. Even the most materially permanent works become ephemeral through the lens of perception. The time one spends with a piece, the subjective attention one brings to it, and the emotional or psychological states it evokes are all transient, unrepeatable phenomena.

This viewer-centered ephemerality aligns closely with the exhibition’s thematic core. The concept of phantasma implies not just illusion or apparition, but a kind of fleeting mental image that is something glimpsed and then gone. In this light, the exhibition invites reflection on how art exists not just as an object in space, but as an event in time—a momentary convergence between work and witness.

Such moments are inherently unstable. No two viewings are the same; no two viewers see the same thing. Light shifts, sound overlaps, distractions arise, memories intervene. Even in a static work, meaning is never fixed—it shimmers, disappears, reemerges elsewhere. Phantasma engages this instability as a mode of presence, encouraging the viewer to lean into the impermanence of attention, the fragility of focus, and the shifting textures of perception.

Here, ephemerality becomes less about what the work is, and more about what it does in time, how it lives briefly in the field of experience before dissolving into memory.


It was a fantastic opening – One Mile Gallery is charming, and this show is packed with great work. Mark Hogancamp was on hand, and I got to spend time asking him questions and talking. He told me that he’s going to put the diorama I made for him on the second floor of the hotel above the mantle in Marwencol. I was so happy to meet him. It was a lovely evening!

Categories
Dioramas

Hogancamps

In preparation for the upcoming show at One Mile Gallery in Kingston, NY, I made the following items:

UPDATE

My gifts were received!

Categories
Opinion

I loved “Welcome to Marwen”

Steve Carell in the excellent "Welcome to Marwen"

There are a few movies that are in constant rotation in my studio/home. I watch and/or listen to them while I work and/or workout. I’m not saying they are cinematic masterpieces, only that I love them. It’s the highest praise I can give. These movies continue to provide rewards with consecutive viewings.

I just saw Welcome to Marwen, it immediately earned a spot on my tiny, exclusive list.

Steve Carell plays Mark Hogancamp, an artist who had his memories and drawing skills beaten out of him outside of a bar when he drunkenly admitted he likes to wear women’s shoes.

Welcome to Marwen Gals

Much of the narrative takes place in Hogancamp’s yard, in a model town he created called Marwen. Barbie like action figures (the characters in the film actually call them action figures, bless) interact with a puppet figure Hogancamp. It’s an elaborate coping mechanism that highlights the resilience of imagination. He stages realistic scenes and photographs them. The shift between two worlds – a miniature facsimile and the “real” world – is enticing. Plus, the bad guys are Nazis and they are repeatedly pummeled by his stiletto wearing female protectors. The sets are wonderful. And Carell’s Hogancamp is endearing without being sappy. He finds peace and acceptance in his internal world – who doesn’t want that?

I read a shitty review of this film (there is no shortage of them) that noted Welcome to Marwen is for people who complain about Hollywood’s formulaic films. I went to see this with a friend, and we both thought the movie felt “loooooooong.” But, that’s not a bad thing, and I also think this deserves several initial viewings. Does it have some problems? Probably. But it’s so good.

The real Mark Hogancamp

It’s directed by Robert Zemeckis, who directed Back to the Future movies, Who Framed Roger Rabbit?, Cast Away, and Forrest Gump.  I think this film is a labour of love, and perhaps wasn’t really positioned to be a blockbuster. I don’t care if it was. I’m glad they got this story out into the world. There’s even a nod to Back to the Future.