For this month’s exhibition at the Hamilton Gallery and Artist Collective, I threw my best feet forward. These giant drawings were only home for a day from the last exhibition before heading back out.
On view until October.
I really wish someone could solve these mysteries. This time, it took place in a store for previously owned shoes.
All women have size 12 feet,
And I steal their shoes.
And under the black light:
There are a few movies that are in constant rotation in my studio/home. I watch and/or listen to them while I work and/or workout. I’m not saying they are cinematic masterpieces, only that I love them. It’s the highest praise I can give. These movies continue to provide rewards with consecutive viewings.
I just saw Welcome to Marwen, it immediately earned a spot on my tiny, exclusive list.
Steve Carell plays Mark Hogancamp, an artist who had his memories and drawing skills beaten out of him outside of a bar when he drunkenly admitted he likes to wear women’s shoes.
Much of the narrative takes place in Hogancamp’s yard, in a model town he created called Marwen. Barbie like action figures (the characters in the film actually call them action figures, bless) interact with a puppet figure Hogancamp. It’s an elaborate coping mechanism that highlights the resilience of imagination. He stages realistic scenes and photographs them. The shift between two worlds – a miniature facsimile and the “real” world – is enticing. Plus, the bad guys are Nazis and they are repeatedly pummeled by his stiletto wearing female protectors. The sets are wonderful. And Carell’s Hogancamp is endearing without being sappy. He finds peace and acceptance in his internal world – who doesn’t want that?
I read a shitty review of this film (there is no shortage of them) that noted Welcome to Marwen is for people who complain about Hollywood’s formulaic films. I went to see this with a friend, and we both thought the movie felt “loooooooong.” But, that’s not a bad thing, and I also think this deserves several initial viewings. Does it have some problems? Probably. But it’s so good.
It’s directed by Robert Zemeckis, who directed Back to the Future movies, Who Framed Roger Rabbit?, Cast Away, and Forrest Gump. I think this film is a labour of love, and perhaps wasn’t really positioned to be a blockbuster. I don’t care if it was. I’m glad they got this story out into the world. There’s even a nod to Back to the Future.