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S.Ex. no. 22 Theatre of Youth

I made this using an upright bass by Ibanez. The pedals used were the Boss Hamonist, Old Blood Noise Endeavors’ Visitor, Red Panda’s Tensor, and Lossy, by Chase Bliss Audio. The video is from my phone, film in the theater lobby at Towson University.

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S.ex no. 21 Spring Break

Another spring break loop – I made one this time last year.

I played some tonal stuff, and then put the guitar down.  The pedal build their own loops and micro loops. It went on for about 13 minutes, gradually distorting and shifting. 

This is a shorter edit, featuring:

@mtl.asm count to five
@redpandalab tensor & particle 
@chasebliss mood & habit 
@bossfx_us @bossinfoglobal DD-8 & Space Echo. 

The video is from my phone.

And below is the long version, S.ex. no. 21 (longer) In the rooms. The rooms contrast my professional life with the rest of my life. Both are important, and in reality, we have one life that somehow we partition mentally.

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Music

S.Ex no. 20: Walk Good part 2

Filmed in Cap Code when we were visiting the Edward Gorey house, part of my “Walk Good” series.

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Music

S.EX. NO. 19 FARMER’S MARKET

Sound experiment no. 19, at the Baltimore Farmers’ Market.

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Music

S.Ex. no. 18

Sound Experiment number 18.

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Music

A Chop off the Old Block

I finished the RPM challenge again. As mentioned previously, I set out to write and produce five songs for an Ep. I was aiming for five instrumental guitar based songs, and I have ideas for them. I have ideas for 10+ instrumental guitar based songs, in fact. But I’m lacking time to do them justice. I’m teaching two courses at two different universities, and so, I decided to follow a looser approach, and improvise.

I’ve enjoyed this one very much. The cover is a photo I took in Cape Cod at a flea market. I walked up to a vendor’s table, and this little display was set out exactly as I’m presenting it.

Album cover showing a hand chopper, part of a torn $20 bill, and doll parts on a old wooden table.

I also made covers for the individual tracks.

Constellation/XYZ – ABC

Beverly and I were walking along the inner harbor on a very cold February morning, looking for somewhere to get coffee. I recorded this on the walk, paused my recording while we got coffee, and resumed recording to capture XYZ – ABC.

Wooden board from the bottom of the Constellation ship, with the numbers 11, 10, and 9 painted on them.

I will never say I told you so

BGE has hired contractors to dig up all the roads in our neighborhood, and also move our gas meters outside of the house. I had to quickly dismantle the Theoretical Audio Laboratory to accommodate employees of Pipeline Solutions desire to track a great deal of mud through my home. It was a huge relief to have them out of the house, and when I set up some drums again, I recorded these parts.

One night, I played a Bass VI and improvised the string parts on this track. The next day, I set out to lay down drum tracks for a different song, and wondered what these two parts would sound like together.

I will never say I told you so is what these two parts sound like together.

my drum set in on a riser.

A Pie for Grackles

I was “taking my exercise” one day and heard someone playing an out of tune, warbly piano. As I paused to capture this recording, a car drove past me and parked a block away. I was happy that I captured enough piano to make a loop, and then found the passing car to be interesting, too.

I got the photo one night while Beverly and I were out on a date. It struck me that the people across the room might be having grackle pie, and/or might be grackles themselves.

A man in the far distance talking to a waiter in a restaurant.

Where to be

I made about an hour of recordings one night – 7 tracks in all – two of which will end up in films, and then this one, which is the sweetest of them all. More straightforward, it reminds me of a part of Baltimore that I may have once visited.

The cover is a continuation of Found and Chosen. As much as I’d like to stop, I keep finding discarded treasures on sidewalks.

A cheap, broken gold buckle on a side walk.

Salty

A favorite among faves, this drum loops sits squarely under a recording of BGE’s favorite road warriors, busily ruining the streets around here.

The image is from a 1950’s era advertisement, and while I’m a sucker for those sandals, it was the text that inspired this image become the cover for this track.

A pair of feet in black thong sandals above the word Salty

Cards of Marseilles

A gal holding a cello

I had a sleepover with my lovely daughter this month, and we got some recording in. One this track, I got to play her cello, and she manipulated her Line6 DL4 MkII delay pedal.

Me, playing a cello
and black and white illustration of a man pricing meat.

A risible scene of lovemaking

my drum set, seen from below

This was the first track I made for RPM2023. I set my iPhone on the floor under my drums and it just happened. I’ve made some backing tracks from this for the aforementioned instrumental guitar album.

A 1950's era black and white advertisement of two women watching a TV.

Conclusion

As always, I’m grateful to have participated in this cool challenge, and I’m always better for having done so. I recommend it to everyone who writes music.

I gave a lecture on inspiration and where to find ideas last week. I told my students the following:

Ideas are a form of creative currency that must be spent. They do not earn interest if hoarded.

Mr. Jim, Introduction to Animation, ART341

I remember when I was in my 20’s and the drummer for several original bands, I’d come up with ideas for songs that I kept to myself. Maybe I envisioned myself playing guitar on them. For a few, I remember thinking they were like shiny treasure that I needed to keep safe. That these ideas were soooo good, I needed to do something with them myself.

That was wrong thinking, for several reasons.

  1. I was being selfish.
  2. The ideas might have been great, but most certainly would have been made better by the collaboration of my bandmates.
  3. Those ideas never saw the light of day, all because of this thinking!

I wish I had shared those ideas now. I would love to know where Guppy (of Bazooka Joe) or Christoph Green (of Honeypump) would have taken them. They were both fantastic song writers, and much better guitarists than I.

Ideas are not personal property. They cannot be copyrighted or trademarked. They are useless unless executed. Statistically speaking, if you don’t do it, someone else will!

So, I spent a few ideas this month, and you know what? By doing so, I doubled the amount of ideas I had, and have even more recording to do. I think that’s part of where ideas come from.